"The Tree" by Linda Munson Peth
In the town square, an evergreen tree, blue spruce,
Seems
to be a hundred feet high to you, me
And the ghost children.
Moose,
reindeer, herbs, herds of elk and their ilk,
Decorate
the cake, and on top, Gabriel blowing for a dawning morning,
While
dapper clad curmudgeons circulate below,
Bludgeoning
the good times, anxious, itching, to put a stop to all this
Happy
be-bopping, flipping, flopping, gymnastics of joy,
Cartwheels
that all the Ghost Children do
For
sheer sweetness of night and really and truly snow,
Crystallizing
frost, falling frozen
In
time and delight, sweet popsicle dreams:

Delectable,
collectible and disappearing among the popcorn strings,
Tying
it all together, fair weather, friends, fruitcakes,
Plums
and fairies, fairly booming, and oh! what a sight,
This
Holy Night announced, nimble, Nimbus haloing the Greeks in the crowd, baring
Their
souls and bringing gifts,
Wiseacres,
wisecrackers,
Landowners,
homeowners wandering about,
Shows
and displays of wonderful winning and
Brand
new shoes like all God's Ghost Children,
Little
Boy Blue, Blue Boy, horn blowing and sheep are definitely scattered in the corn crib, tripping over Angels,
Tangled
up in hairy situations, scary situations,
Lost
and love locked, jammed and jellied, jarred and shelved, labeled and scrambled.
Breakfast is served
nightly, turned completely around and upside down,
So
that no one knows how long this will last,
This
fast, this broken ornamental singing.
Stinging
snowflakes burn Ghost Children's cheeks, like
Tears
and freeze into little Icicle designs,
Putting
their weeping, wanting, permanently placed in winter,
Vintage
and variable as they cross the open spaces,


Take
places under the tree,
Proceeding
to amaze an awestruck crowd as they burst, begin,
Commence
to choir in a most supernatural chorus of signing, so that even the deaf are hearing what they Want to know about voices praising
the heavens,
Ringing
the firmament,
A
range of visible and invisible lauding,
Alluding
to the Christ,
The
messenger, and all that bring so small a gift,
A
gracious symbol to the Son and
All
who love him.
(November
28, 1988)
Even the margins of Mozart's manuscripts for Fantasia and Fugue in C Major contain calculations of the probability
to win the lottery (Livio, 18-19).


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